ADVANCED
APPRENTICE Isabel Amador Frances Chae Sydney Spier Nicole Young
JUNIOR
APPRENTICE Jorge Cardozo
JUNIOR COMPANY Robin Kate
Davis Mattie Davis Emily Healey Abby Greenbaum Katharyn
Peterman Emily Anderson Shannon Olson Claire Young Gelina Le Lorren Guy Helene Chacon
Uptown Dance
Company was founded in the fall of 1999 by Beth
Gulledge Brown the Owner/Artistic Director of
Uptown Dance Centre. Having performed
professionally Beth understood the need to
supplement classical and contemporary training
with the opportunity to perform in various venues
to round out the experience and performing skills
of young dancers. She founded the company
to provide an educational performing outlet for
her more advanced students. She holds
annual auditions, encouraging her upper level
students to audition for the company. Each
company member is held to a rigorous schedule of
training, rehearsing and performing in community
events. The company is currently made up of
17 students. Uptown Dance Company performs
many styles of dance, including ballet, jazz,
modern and tap. They have worked with many
dance masters from New York City, Europe, and
South America. The company repertoire
includes choreography by: Beth Gulledge Brown,
Keith Cross, Marcelo de sa Martins, Andre Silva,
Sheila Barker, Cecilia Marta, Alex
Arizpe and Jason Parson. The company performs
locally at festivals including The Houston
Childrens Festival. They also provide
pre-show entertainment for the Society of the
Performing Arts at the Wortham Theatre and the
Hobby Centre. The company has had the
privilege to train and perform in venues around
the world. These include performing in
three cities in China and taking class at The
Shanghai Ballet Academy, performing and training
at the 2001 and 2004 World Jazz Dance Congress
and performing in the Tanzsommer Festival in
Austria 2002. In addition to these
performances the Uptown Dance Company has staged
local productions of Coppélia, The Sleeping
Beauty and Cinderella. Uptown Dance Company
produces an annual Nutcracker Tea and
spring concert Dance Infusion.
Community Relations:
Lisa Wolf Spier
Lou Ann Chae
Anne Amador
Secretary:
Carolyn Gulledge
Treasurer:
Brent Brown
Beth
Gulledge Brown –Artistic Director
A native
Houstonian, Beth began her ballet training with
Margo Marshall. Beth also trained at the Delta
Festival Ballet in New Orleans under Joseph and
Maria Giacobbe and the Texas Ballet. She received
scholarships to study with Broadway Dance Center
in New York and Joe Tremaine in Los Angeles. Beth
received her dance degree form the University of
Capetown, R.S.A. She performed with the U.C.T.
Ballet Company and the CAPAB Ballet Company. Beths
performance experience in Houston includes Delia
Stewart Dance Company, Texas Dance Theatre and
Joan Karffs New Dance Group. Beth has set
choreography for the Texas Tanz Summer Festival,
Choreographers X6, and JCC Summer Dance
Repertory/Performance Project. Beth has had the
opportunity to teach with many studios in
Houston, South Africa, and New York City. Beths
choreography has been accepted for presentation
at Jazz Dance World Congress in Monterrey, Mexico
in 2001, and in Costa Rica in 2004 Her
student company performed her choreography in
three cities in China and was broadcast
nationally over Chinese television. Her
choreography was showcased in Austria at the
Tanzsommer Festival in the summer of 2002 and at
the Jewish Community Centers Dance
Month in 2005 in Houston, Texas.
Andrew Murphy
- Rehearsal Director
Andrew Murphy was born in
Sydney, Australia. He began his dance training at the age of
ten in Canberra, Australia with Betsy Sawer. Mr. Murphy also
studied under the guidance of Kelvin Coe, Gary Norman, Dale
Baker, and David Ashmole. He trained under the guidance of
Stanly Willams, Johnny Eliasen, Jurgen Schneider, Wilhelm
Bumann, Jonathan Kelly, Desmond Kelly, and Rudolf Nureyev.
In 1989 Mr. Murphy joined The
Australian Ballet. He was promoted to soloist in 1991 and to
senior soloist in 1993. Mr. Murphy danced principal roles in
Maina Gielgud’s production of
The Sleeping Beauty;
Graeme Murphy’s production of
The Nutcracker;
Rudolf Nureyev’s production of
Don Quixote;
Sir Kenneth MacMillan’s
Manon;
John Cranko’s Romeo and Juliet
and The Taming of the Shrew;
Andre Prokovsky’s Anna Karenina;
Maurice Béjart’s Songs of a Wayfarer
and Le Concours;
Ronald Hynd’s The Merry Widow;
Sir Frederick Ashton’s
A Birthday Offering;
George Balanchine’s Symphony in C and
Tchaikovshy Pas de Deux; Ninette
de Valois’ Checkmate;
Mikhail Fokine’s Les Sylphides;
Jiří Kylián’s Forgotten Land
and Sinfonietta;
Harald Lander’s Etudes;
Glen Tetley’s Voluntaries;
Serge Lifar’s Suite en Blanc;
and Stanton Welch’s Of Blessed Memory
and Divergence.
Mr. Murphy created roles in
Stephen Baynes’
The Catalyst and
Beyond Bach. In
1996 Mr. Murphy joined the Birmingham Royal Ballet as a senior
soloist and was promoted to principal dancer in 1998.
Mr. Murphy continued to
expand his repertoire to include principal roles in the Galina
Samsova/David Bintley production of
Giselle; Peter Wright's
productions of Swan Lake,
The Nutcracker,
Coppélia,
and The Sleeping Beauty;
Sir Kenneth MacMillan’s
Romeo and Juliet,
Elite Syncopations,
and Song of the Earth;
David Bintley’s Edward II,
Far From The Madding Crowd,
Hobson’sChoice,
Arthur
part I and part II, Choros,
Concert Fantasy,
Flowers of the Forest,
and Tombeaux;
Sir Frederick Ashton’s
Enigma Variations,
Les Patineurs,
Scenes de Ballet,
Symphonic Variation,
Voices of Spring,
The Dream,
and The Two Pigeons;
George Balanchine’s Agon,
The Four Temperaments,
Symphony in Three Movements,
Theme and Variations,
Western Symphony,
Orpheus,
and Slaughter on Tenth Avenue;
Hans van Manen’s Grosse Fuge
and Five Tangos;
and Twyla Tharp’s In The Upper Room.
Mr. Murphy created the role
of Lancelot in David Bintley’s
Arthur 1
and Arthur 2,
Romeo in Shakespeare Suite,
the autumn section of The Seasons,
principal roles in Nutcracker Sweeties
and The Protecting Veil;
James Kudelka’s Le Baiser de la Fee;
Lila York’s Sanctum;
and Stanton Welch’s Powder.
In 2003 Mr. Murphy joined
Houston Ballet as a principal dancer. Mr. Murphy continues to
expand his repertoire to include principal roles in Ben
Stevenson’s production of
The Nutcracker
and Four Last Songs;
Stanton Welch’s Pecos Bill; George Balanchine’s
Apollo,
La Valse,
and Theme and Variations;
and Lila York’s Celts.
Mr. Murphy has created principal roles in Natalie Weir’s
The Host;
and Stanton Welch’s Big Sky
and Cline
Time.
Mr. Murphy has appeared as a
guest artist in galas throughout Australia, Italy, the United
Kingdom and the United States. He has also received the
Vasiliev Award of Encouragement at the International Ballet
Competition in China. Mr. Murphy, his wife and daughter make
their home in Houston, Texas. He also enjoys golf and
gardening.